10am, July 8
Just finished our second set in a six boat line. Left anchor at 4:30 am this morning and showed first at our spot. Yesterday was a good day: nearly 9,500 lbs of fish, and over 3,000 of those reds (which go for twice the price of the dog salmon that are also running right now). The first set today was respectable—probably about 300 fish (about 1,500 lbs). Second was just 184.
Spirits are good, but we're all pretty whipped. Only had about four hours for sleep last night, and that was spotty since our sleeping quarters are right next to the engine room. We had to go the whole night with the engine on to keep the circ. running (that's the circulation system for the Refrigerated Sea Water [RSW]). This last set also hit us pretty hard on deck: had to deal with a lot of kelp and some tangled lead lines.
We're about to finish a movie and hopefully get some solid naptime, as we've got nearly a two-hour wait before we can set again. Which brings us to....
Movie Deets!
Today we're talking about Outlaw Justice, an early 2000's film (?) featuring Travis Tritt, Willy Nelson, and some of the worst acting combined with the most self-indulgent "star" control I've seen. It may rival The Polar Bear King on the slop-scale, if you're at all familiar with that winner. Someone should've fired whatever flopped sitcom screenwriter they got to write this thing. Speaking of writers, here's...
Novel Opinions!
Finished a novel, Inherent Vice (2010), by Thomas Pynchon a few days back. Not a bad read, though there's plenty of drugs and sex. Set in L.A. in the early 70's, it's sort of a stoner-detective fiction novel, riffing on the hard-boiled genre. I think Pynchon—a fairly serious, and for many a very important writer—wanted to capture the 60's as a moment/era of possibility that is fading from the screen, to be followed by corruption (think Charles Manson, Richard Nixon & company...) in the present day of the novel.
Funny enough, as certain "evil" characters turned out to be just as much played as playing, and just as susceptible to forces like love and intimidation, the thing actually reminded me a hell of a lot of Chesterton's The Man Who Was Thursday, and I wonder if Pynchon had that in mind. That'd be a weird/interesting pairing.
Anyway, P.T. Anderson (dir. Boogie Nights, Magnolia) is supposed to be making it into a movie currently, which I'm stoked to have heard about from a friend, as I thoroughly dig what I've seen of his work.
Started yesterday on McCarthy's The Orchard Keeper (1965). So far so good, though—predictably—it's pretty grisly. The style is engaging and he seems to be working out his attention to scenery and seasons: Appalachian setting, bootlegging, a mysterious old man who guards some woods, a concrete cistern with a dead body inside it, events only half told. Interesting stuff. Maybe good source material for my buddy Bret's Thunder Road/moonshine movie script?
That's it for right now—time for crappy cinema. Here's some miscellany...
Quote of the day (so far):
Skipper (as he turns to a crew member, vegetable in hand, following the crew's delayed response to his request for a chips and salsa snack): "Good, I thought you had forgot; you almost made me eat a ****ing carrot."
Vid List (what the crew are currently telling each other they gotta see):
Leroy Jenkins Halo
Chronic of Narnia Rap
12:00pm, July 10
Yesterday we made our biggest set yet—potentially in the range of 6,000 lbs. Combined with our work on the 8th we dropped off over 22,000 lbs at the tender last night. A steak dinner (courtesy of our 18 inch Cabela's propane grill) was a fitting end to a day that saw us haul in upwards of 12,000 lbs. of salmon, despite being in a seven boat line all day and making only four sets.
Today, the 10th, has been strong, but doesn't seem to be of quite the same magnitude. We arrived first to our spot this morning and had a very nice first and second set. After our second set, the skip decided to go straight out and try one on the "outside."*
It was not a success.
We saw salmon jumping as we lay out and everything looked good, but the current seemed to push our cork line around, our leads were a little jumbled, and we had to stop repeatedly to pull kelp out of the net. Final count on the set: 3 fish.
At least one was a silver.
Spirits are still good though; it looked fishy and we gave it a shot. If the set had come in, the line would be moving faster (always two boats setting rather than one) and everyone would be catching more fish. We lost nothing but energy. Um, lots of energy...
Speaking of which, it's getting harder to get mobile in the mornings.
And while it is frustrating to have a boat line like ours, it can also be a mercy when you're rolling out of bed at 5am to pull the release cord on the skiff and clean the deck before you've had a chance to swallow down a gulp of coffee or cereal.
It's during these early sets that the boat line you loath, the line that ties your hands after you've just made a giant haul, the line of boats you wish would get sick of milling about so you don't have to wait so long to dip back into your honey hole, that two hour line becomes a godsend. Because that's two hours for odd jobs, necessaries like cooking and cleanup, and—most generously—sleep.
Just get on shoes and sweater so you can pull the release cord. Just clean and prep the deck. Just plunge a little. Just get your raingear on. Just plunge a little more. Just get the net stacked and hauled in. Just get through this set. Just do this and you can shuck off your neoprene exoskeleton, dry your face, crawl down the stairs and back into your bunk. You might even slip into unconsciousness before the skipper comes on to the PA and announces it's time to pick the anchor.
Mornings are tough, but we seem to fall into a rotating sleep schedule. One night we'll come in around 7:30pm. After dinner, clean-up, odd prep work for the next day, we slip into the bunks by 10:30 or so. Then it's up at 4:30am. Conditioned by repetition, you can make your body roll out of the bunk before you're even conscious enough to realize how silly the idea of "awake" is at this point. That night we might work later. Make one more set. Eat dinner at midnight. Get up again by five. Work through the day. By the third night, batteries drained, we'll sleep in; maybe miss the first turn and show up at our spot near 7:00. Then we're juiced up for another round.
Like the two-hour line, repetition is a mixed mercy. You may feel like a lead sack start to finish, but already, with less than a month of deck work, once the hands touch the net, the body starts working without asking questions.
*Most purse-seiners set with the boat or skiff along the shore of a bay or point and the other end of the net laid out to catch the fish as they school at the set spot. In the Kodiak fishery, the general rule lets a boat tow for half an hour to allow the fish to stack up. As the boat and skiff turn in toward each other to close the circle of the net, the next boat in line will lay out its own net, either in "front" of the closing net, or "behind" that set. With a long line, the fishermen might decide to follow this "inside" set along the shore with an "outside" set, just beyond the far end of the boat after them. Thus boat A sets inside, closes, boat B sets inside, boat A sets right after them, boat B closes, boat A closes and anchors up in line, boat C sets inside, boat B sets outside, etc... I know. Riveting. You can hardly wait for more details. If you're very (un)lucky, sometime I might explain to you how our diesel stove works...